The Riverbrook Piano Improv-a-thon

There are marathons and bike-a-thons and walk-a-thons, but on Sunday, June 22, Riverbrook Residence in Stockbridge, MA hosted what may have been the world’s first Piano Improv-a-thon!

Riverbrook, the oldest facility for women with developmental disabilities in New England, is where I teach music. In collaboration with Riverbrook director Joan Burkhard and the many wonderful people on the staff, this event helped fulfill my aspiration to show that, no matter who we are, beauty is inherent to us all by virtue of being human.

Over the course of the afternoon, people of all ages, backgrounds and levels of musical experience—including many of the Riverbrook women—improvised with me on the beautiful Samick grand piano that graces the Riverbrook living room.

The Piano Improv-a-thon was a fundraiser for the Riverbrook music program, which is giving women with developmental disabilities a powerful and transformative means of self-expression. We raised almost $4500—far more than anticipated.

The Improv-a-thon performers collected pledges for their participation from family, friends, and colleagues. (For example, many of my husband’s fellow teachers at Taconic High School supported his participation in the event.) Contributions also came from dozens of individuals and businesses throughout the Berkshires, the Hilltown area and beyond. The Red Lion Inn, The Taggart House, Bardwell, Bowlby and Karam Insurance, Consolati Insurance, Boston Seafoods, Zabian’s Jewelers, Guido's Marketplace, and Once-Upon-a-Table restaurant, were among the many who donated.

Children as young as four years old participated, as did some of the Riverbrook residents and many of my older students. As you’ll hear in the audio clips below, each improvisation was completely individual. Yet, a sweet interconnection manifested itself, arising from that deeper level where beauty is born.

Riverbrook is a rare and special place for women with disabilities. It is an environment where beauty and interconnectivity can flourish among everyone who walks through its doors. As our piano improvisations released the creative impulse in each participant, an unusual alchemy of music, ease and freedom emerged that afternoon. I actually think this was a world's first!

Here is a sample of the twenty-four Riverbrook Improv-a-thon performers. Click on “audio recording” to hear their performances. More photos and audios are coming--stay tuned!

Nancy Babcock, Worthington, MA

Nancy studied piano for a short time when she was a girl, but was told that she had "no musical talent."

Click here for audio recording





Carol Ray, Riverbrook Residence

Carol has lived at Riverbrook for many years and is beloved by residents and staff alike. Carol expresses her exuberant relationship to life through playing music and dancing. She participated in our performance, "Flying Free: Music without Limits."

Click here for audio recording



Isabella DeFelice, Richmond, MA

Isabella is four years old. Her two sisters and brother--Gabriella, Daniella and Dominic--study piano with me. Isabella is just beginning. Our occasional forays into music are entirely improvisational.

Click here for audio recording




Tracy Salvadore, Riverbrook Residence

Tracy loves singing and playing the piano. Occasionally, when we're improvising something upbeat, a staff member or resident will start dancing to our music. This gives Tracy great joy and amusement!

Click here for audio recording




Frieda Pilson, Chappaqua, NY and Richmond, MA

Frieda has played piano for much of her life. Classically trained, she longed to free her creative musical voice. She began studying with me a number of years ago and now improvises freely, as well as composing her own strikingly original piano pieces.

Click here for audio recording



Tom Weeks, Southfield, MA

Tom works for the New York Life Insurance Company. He sings with the Berkshire Choral Festival and has a beautiful tenor voice. Tom began studying piano with me in 2008. His improvisations have a distinctly "vocal" quality: beautiful melodies are always emerging from him!

Click here for audio recording


Bram Fisher, Richmond, MA

Bram and his brother, Satchel, both study piano with me and play in the school band. They clearly love music! Each boy has a distinctly individual sensibility, as expressed in their performances of jazz and blues pieces and familiar songs, improvisations, and their Garageband compositions.

Click here for audio recording


Tanny Labshere, Riverbrook Residence

Tanny and I played a semi-improvised interpretation of "We Shall Overcome" and "America the Beautiful." Two weeks prior, we had played this duet for Governor Deval Patrick.

Click here for audio recording




More photos and recordings from the Riverbrook Piano Improv-a-thon are coming soon--stay tuned!

Meeting Vice President Biden

It’s not every day that the Vice President of the United States stands less than a foot away from you, gives you a disarmingly warm hello and a very firm handshake! Thanks to a dear friend, Bernard L. Jones, that’s exactly what I experienced yesterday.

Bernard, a Democratic State delegate from Colrain and Vietnam combat veteran, had invited me to a special reception in Boston for Vice President Joe Biden. Together with several hundred other people on the roof deck of Fenway Park, I listened to the Vice President speak about the issues confronting this new administration. He described his visits to hard-hit industrial communities throughout the United States and the economic necessity for health care reform. His speech was sober, personal, and finally...uplifting. Not in an impractical or hyperbolic way. His optimism was authentic, real.

I was hoping to hand him a DVD of my piano duets with the women of Riverbrook Residence. Through the medium of music, women with disabilities are exemplifying—emotionally, cognitively and socially—the spirit of change he and the new administration stand for. I knew that the Vice President would find this work meaningful and inspiring—just as Governor Deval Patrick had the week before!

As I learned from a Secret Service agent, however, no one is permitted to hand the Vice President anything, except perhaps a business card. So I gave my packet of materials to another friend, Michael Wilcox, through whose connections we hope to deliver it to the Vice President.

My aspiration is for the Riverbrook women to be recognized at a national level. Specifically, I imagine them performing in the First Lady’s new White House Music Series. They will help make the White House the “People’s House”—as First Lady Michelle Obama is seeking to do.

Through their music, these women, who in other circumstances may have been relegated to the fringes of society, are inspiring people throughout Massachusetts. They demonstrate why the optimism Vice President Biden expressed last night is justified—they prove that beauty, creativity and freedom are our nature, inherent to us all and unfettered by any limitation!

Watch this YouTube video of a performance by the women of Riverbrook Residence.

A Musical Performance for Governor Deval Patrick

What an amazing night! Last evening, my gifted student Tanny Labshere and I had the opportunity to play a piano duet for the Governor of Massachusetts, Deval Patrick. For the occasion--a small fundraising party at a private home--we created a special medley of "We Shall Overcome" and "America the Beautiful." At the last chord, there was a palpable absorption in the room. People were deeply impacted.

Tanny's adoptive mother, Paula Labshere, was there and she was thrilled. We both had an opportunity to express to the Governor the ways in which the State had made it possible for Tanny to grow and thrive, though she was born blind. It had given her life-changing opportunities: through the foster program she was placed with a loving family who eventually adopted her; Tanny attended the Perkins Institute for the Blind; and now she was at Riverbrook Residence in Stockbridge, MA, which is a model of care for women with disabilities. That's where I teach her music.

Like anyone in government these days, the Governor is grappling with extraordinary challenges. At the event, he spoke about the multi-billion dollar cut in the state budget and, as a result, the hard decisions he's having to make. I thought, it's important for him to see what's working, and how significant it is. State programs and facilities in Massachusetts had made it possible for a young woman like Tanny--who was born into great difficulty--to ultimately express the freedom and beauty Governor Patrick had just witnessed. His response was wonderful. He was clearly moved by what he had just heard. It was a very special moment!

Jose Antonio Abreu - The Transformational Power of Music

I recently discovered through a musician friend, Judy Gerratt, this amazing Venezuelan man, named Jose Abreu. He has developed a system of teaching music to young children and created youth orchestras throughout his country. In this video on the TED site, he describes why and how music is having a transformational effect on Venezuelan children.

Here is a quote from near the end of his speech:
“The huge spiritual world that music produces, which also lies within itself, is the end of overcoming material poverty. The minute a child plays, he is no longer poor. The historian, Arnold Toynbee, said that the world is suffering a huge spiritual crisis…I believe that to confront such crisis, only art and religion can give proper answers to humanity, to mankind’s deepest aspirations and the historic demands of our time."

It is precisely because he goes to the heart of music—to its spiritual essence—that he is able to catalyze individual and social change. His reflections on the transformational power of music mirror what I’m observing in my work with women with developmental disabilities. (see video) I would state in this way the part of his quote I italicized: ”The minute a person plays, she/he is no longer disabled.”

Flying Free: Music without Limits

By Jessica Roemischer

This video is taken from a performance called, "Flying Free: Music without Limits." It features improvised and semi-improvised piano duets with the women I teach at Riverbrook Residence in Stockbridge, MA. Riverbrook is home to twenty-three women. Under the direction of Joan Burkhard, a committed staff is creating the optimum conditions for women with developmental disabilities to be supported in every dimension of life. This is the environment I entered as a piano teacher in Fall, 2007. In my work with the women, I became disarmed by the result. As you’ll see, these women confirm that beauty arises from the deepest level of being, unfettered by any limitation. They demonstrate why music is, arguably, our most powerful and universal means of human expression and is present in us all!

The Beauty We Carry in Our Hearts - A Holiday Reflection

by Jessica Roemischer

A friend, John Steiner, recently sent an email that included a quote from the philosopher, physician, theologian, and musician, Dr. Albert Schweitzer.

“…Just as the rivers we see are minor compared to underground streams," Schweitzer said, "So, too, the idealism that is visible is minor compared to what people carry in their hearts unreleased or scarcely released.”

I’ve taught music for almost three decades to students of all ages, cultures, levels of experience and most recently to women with developmental disabilities who are blind, autistic or have Down’s syndrome. (A video of a recent performance will be posted soon.) What I am witnessing confirms that the beauty we carry in our hearts, often unreleased, is far greater than what is apparent.

Schweitzer, who won the 1953 Nobel Peace Prize, went on to say that, “Humankind is waiting and longing for those who can accomplish the task of untying what is knotted, and bringing these underground waters to the surface.” At this holiday season, I believe that if we look closely, if we have faith in the beauty that's there, hidden below the surface, we will help bring it to light.

Here’s a track from my first CD, Pachelbel’s Canon in D.
Happy Holidays!

"Flying Free: Music without Limits"

by Jessica Roemischer

Last Sunday at a small concert hall in Pittsfield, MA, I had the opportunity to stage a multi-media/musical event called “Flying Free: Music without Limits.” On a Steinway grand piano I performed improvised and semi-improvised duets with the women I teach at the Riverbrook Residence in Stockbridge. The Riverbrook women have disabilities that range from blindness to autism and Down’s syndrome. As they played, their words—in which they describe their experience of music—were projected on a screen for the audience.

Some of the women are just beginners at the piano; one woman who is blind is quite adept. Regardless of the level of experience, each woman played with disarming authenticity, creativity and naturalness. The sixty people who attended witnessed something of revelatory beauty that went far beyond my own expectations. What occurred, I believe, had the hallmarks of a new kind of art and aesthetics.

My father traveled four hours in winter weather to attend the performance. A college professor, he has taught the philosophy of education for over fifty years and is no stranger to the realm of students with learning difficulties. Nonetheless, he said, “This event completely deconstructed my notion of what it meant to be developmentally disabled. It was staggering. It proved to me that we can transcend our biology.” Another member of the audience wrote to me later that day: “We were in tears. My wife and I have gone to hear various concert artists. There was more music at your event than in the performances we have seen. You and the women from Riverbrook gave us music to move the spirit.”

A truly new expression of art and aesthetics is not a linear extension of how we currently see things. It is not a re-combination of existing themes or elements. Nor is it a “renaissance” of earlier cultural or artistic movements—as great as they may have been. It is a wholly new way of perceiving that upends our most fundamental and often unconsciously held beliefs. My father experienced that reorientation and so did I. This event was not about “handicapped” people doing something that they had learned by rote. These women were creating music of profound beauty and authenticity, by any measure. They proved that they could, indeed, transcend their biology. The implications are far-reaching.

And that’s where beauty comes in. In working with the women, I listen solely for beauty and for what is unique and natural to each of them. For as long as I can remember my mother has instilled in me that appreciation. She herself is a pianist who studied with an extraordinary teacher in NYC during the ‘40’s and ‘50’s. His name was Leopold Mittman and he was accompanist to violinists Isaac Stern and Mischa Ellman. Just over a year ago, in a book my mother found on piano pedagogy, she read that her teacher’s teacher studied with Franz Liszt, who studied with Carl Czerny, who studied with Beethoven. This astounding discovery confirmed everything she’d been given by Mr. Mittman and had passed on to me. She taught me what makes music sing.

I’m bringing that musical sensibility to bear in an entirely new context with a new, evolutionary goal. In my work with these women, I have absolute confidence that they are capable of expressing profound beauty. Last Sunday, they proved to me and the audience in that small recital hall that it's true. Even in the realm of professional concert-making, real beauty is extraordinarily rare. The audience member who later wrote to me about his experience was right, and his unsolicited observations confirmed what I’d suspected: Beauty is not merely a function of talent, as we generally define it—it’s deeper than that. Beauty is a dimension of the human soul unfettered by any limitation. On Sunday, I saw it emerge before my eyes and witnessed the effect it had on the audience. People were so impacted. There was hardly a dry eye in the house. At that depth, beauty becomes what Steve McIntosh calls an evolutionary “attractor of perfection.” Only that kind of beauty can catalyze a new, integral art and music—-one that can have an evolutionary impact on our consciousness and culture.

In recognition of the event’s significance, “Flying Free” was jointly sponsored by the Boston Symphony Orchestra’s Community Education Program, the internationally acclaimed theater company, Shakespeare and Co. and Miss Hall’s School, a private girls’ high school. It was also supported by a grant from Caroline and James Taylor, which was of special meaning for me, as James Taylor was one of my earliest musical influences. (I can remember the moment in 1971 when I first heard “Fire and Rain” playing on a small, transistor radio.)

A video of the event will be completed next week and posted on YouTube and on this blog site. It will give you an experience of what occurred. We will be disseminating the video to organizations and individuals throughout the country, including the Obama team. As solicited on his website, this is certainly an "American Story" that generates ideas and insights that can "change the future of this country."

Thirty years ago – in 1978 – the concert pianist, Vladimir Horowitz was invited by Jimmy Carter to perform at the White House. The videos of that concert are among the most sublime I have seen.



The evolution of that performance, three decades later, would make evident that everyone, including the women I work with, can express the same kind of undeniable beauty. That’s what happened on Sunday and that’s what needs to be heard at the White House and throughout culture, to inspire every man, woman and child in this country to realize that beauty is inside of them!!